Ananda Thandavam Review!

Years back, Writer Sujatha crafted a beautiful novel that had best essence of romantic drama. But now, when it comes to adaption, there seems to be few aspects missing, especially in terms of screenplay. At this point, many filmmakers fail to distinguish between presenting a novel and film before the viewers. But don’t take the film to be so bad. We’re sure you would like the sharp characterizations that many amongst us would keep reflecting with them. No one is good, none are bad, but both the natures exist within everyone.
You’ve everything about love and kindness in this film. A guy dying for a girl who isn’t so serious about her life, a dad caring like a friend for his son, a careless parent on the other end whose wrong decisions leave their heir so distressed; there are more coalesces over here.
The film opens with Ragupathi (Siddarth), a talented engineering graduate, yet unemployed. His lovable father (Kitty) is moreover like a friend for him and keeps advising for his best to which Raghu doesn’t listen to his advice. Raghu falls in love with Madhumitha (Thamannah) whose parents have no objections for getting the young lad and missy married. At the point, when their engagement rings are exchange, everything drifts as Radhakrishnan (Rishi) working Mackintosh of US brainwashes the entire family and gets married with Madhumitha. Unable to bear the pain, Raghu attempts for suicide and gets saved. More convinced by his caring father, he flees to United States for higher studies where he meets a girl Rathna (Rukmani). Despites born in America sans a single visit to India, she’s more adhered to eastern cultural ethics. They get more good along with each other and finally decide to marry at Pittsburgh temple. At this point of time, Raghu and Madhumitha encounter each other and their strong likeliness for each other evoke again. But, everything isn’t sweet as you expect in an unimaginable climax…
Every best credits goes to Writer Sujatha for a brilliant story. But Gandhi Krishna could’ve focused a bit on penning a gripping screenplay. Thamannah does a splendiferous job through the film, especially in the climax sequence. It doesn’t look like Siddharth’s debut performance and Rishi has decently acted. Rukmani though appears in second half, she does justice to her characterization.
Musical Score by G.V. Prakash embellishes the screens with a decorous cinematography by Jeeva Shankar. Dialogues by Sujatha are excellent and sharper at many extents. They are more philosophical and few are strong to accept yet wins applause. Editing is as distracting as it isn’t carried through with perfection.
On the whole, ‘Ananda Thandavam’ has a good lovable story from Sujatha’s novel ‘Pirivoam Sandipoam’. The first half may be liked by few groups while it’s catering to the masses in the latter part. Gandhi Krishna could’ve worked yet more stunningly for a gripping work.

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